Language: Sotho
How to Ruin Love
4.8
2024
TV
HD
Suspecting infidelity, Zoleka plans to catch her boyfriend in the act, only to ruin her own surprise proposal. Now she must win him back.
How to Ruin Love
Kedibone
10
2020
Movie
HD
An exotically beautiful Sotho girl, Kedibone Manamela, chooses to live her youth on the fast lane. Veiled from her loyal childhood boyfriends eyes, she bounces between being a good girl in the township and the it girl on the high end of Johannesburg streets. A dark threat looms over the day when the news of Kedibones escapades reaches the young man.
Kedibone
Mother, I Am Suffocating. This Is My Last Film About You.
6.7
2019
Movie
HD
The people on the dusty streets of Lesotho stare inquisitively at the young woman, who, like Jesus, carries a wooden cross on her back. She looks back into their faces, at mystically beautiful landscapes, a herd of sheep, and a pair of hands that knit unceasingly. What she sees is rendered more visually precise by the black and white, more abstract by the slowed-down images, it is filtered through memories. A raw voice-over - aware that it is not being heard by those being addressed - structures the flow of images into a cinematic lament. In this essay film, Lemohang Jeremiah Mosese succeeds in creating the chronicle of a radicalising sorrow, which steadily increases in scope from a personal farewell to the mother to a politically aware defection from the motherland. The painful process of shifting from an internal view of the small African country to an external one is visualised and commented on in a profoundly personal way - from the perspective of today, in exile, in Berlin. A pretty angel accompanies the passage. In intense, aching fashion, this unusual lament on an African story of migration sheds light on an realm of experience that is taboo and not only in cinema.
Mother, I Am Suffocating. This Is My Last Film About You.
This Is Not a Burial, It’s a Resurrection
7.3
2019
Movie
HD
When her village is threatened with forced resettlement due to reservoir construction, an 80-year-old widow finds a new will to live and ignites the spirit of resilience within her community.
This Is Not a Burial, It’s a Resurrection