Keyword: experimental

Jerrod Carmichael Reality Show

5.6

2024

TV

HD

Follow the life of Jerrod Carmichael, through his encounters with friends, family, and strangers, all in his search for love, sex, and connection.

Queens of the Qing Dynasty

5.8

2022

Movie

HD

A suicidal teen develops a rapport with the student from Shanghai assigned to watch her in the hospital. A nightly exchange of secrets, text messages, and possessions expands the boundaries of the relationship and alters inner chemistry.

Cobweb

6.8

2023

Movie

HD

Described as an experimental and genre-defying drama shot entirely on sound stages in support of a film-within-a-film narrative.

Atlantis

7.3

2014

Movie

HD

The mystery of Atlantis is always alive. In this movie is a presentation of the Ancient Sings and Teachings of Atlantis according to ancient scripts. This movie is a presentation of these Ancient Sings and Teachings about Atlantis. This move has got a Diploma from the International Festival of Nation 2008.

Atman

6.6

1975

Movie

HD

A lone figure sitting outdoors and wearing a Hannya mask is seen from different angles in a succession of crash zooms and encircling jump cuts.

Skagit

4

2021

Movie

HD

On a getaway weekend in the Skagit Valley, four friends from Seattle drift into their own dark, dangerous alternate realities.

The Birth of the Robot

6.7

1936

Movie

HD

This experiment was a “prestige advertisement” for Shell Motor Oil.\r As conventional animation became dominated by Walt Disney, many European filmmakers turned to puppets as an alternative, and Lye enlisted the help of avant-garde friends such as Humphrey Jennings and John Banting to make the amusing puppets. Exploring the still-complex color process, which involved the combination of three separate images, Lye creates such a vivid storm scene that reviewers hailed it as “proof that the color film has entered a new stage.” The music is Holst’s The Planets. - Harvard Film Archive

Abstronic

6.9

1952

Movie

HD

A pioneer of visual music and electronic art, Mary Ellen Bute produced over a dozen short abstract animations between the 1930s and the 1950s. Set to classical music by the likes of Bach, Saint-Saëns, and Shoshtakovich, and replete with rapidly mutating geometries, Bute’s filmmaking is at once formally rigorous and energetically high-spirited, like a marriage of high modernism and Merrie Melodies. In the late 1940s, Lewis Jacobs observed that Bute’s films were “composed upon mathematical formulae depicting in ever-changing lights and shadows, growing lines and forms, deepening colors and tones, the tumbling, racing impressions evoked by the musical accompaniment.” Bute herself wrote that she sought to “bring to the eyes a combination of visual forms unfolding along with the thematic development and rhythmic cadences of music.”