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The Rolling Stones: Sympathy for the Devil

6.4

1968

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While The Rolling Stones rehearse Sympathy for the Devil in the studio, Godard reflects on 1968 society, politics and culture through five different vignettes.

Symbiopsychotaxiplasm: Take One

7.3

1968

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Filmmaker William Greaves auditioned acting students for a fictional drama, while simultaneously shooting the behind-the-scenes drama taking place.

13 Days in France

5.6

1968

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A documentary about the Winter Olympics.

Why Man Creates

7.3

1968

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Mixing animation with live-action, Saul Bass Why Man Creates is an eight-part meditation on the nature and struggle of creativity.

Like It Is

6.3

1968

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This documentary on the \youth movement\ of the late 1960s focuses on the hippie pot smoking/free love culture in the San Francisco Bay area.

Revolution

7.1

1968

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The San Francisco scene in 1967-68. Documentary about hippies shot during the height of the movement . Viewpoints from many kinds of people. Music by Steve Miller Band, Mother Earth, Quicksilver Messenger Service and others.

The Queen

7.3

1968

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The behind the scenes of a national drag queen contest in New York City, including the rehearsals leading up to the contest, the conversations in the dressing room and the jealousies that emerge before and after the competition.

Whistle and I'll Come to You

7.3

1968

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Classic BBC adaptation of an equally classic ghost story about a skeptical professor on vacation in Norfolk who finds a cursed whistle. Unlike most other episodes of this documentary series about music, this one is live action folk horror.

Christopher's Movie Matinee

6.8

1968

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When a camera crew are sent to document hippie protests in Yorkville, Canadas counter-culture capital, they are charmed by a group of misunderstood kids with their own ideas about what kind of movie to make.

The Wild, Wild World of Jayne Mansfield

2.5

1968

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Jayne Mansfield shares her experiences from her last trip around the world.

Diaries, Notes, and Sketches

7.4

1968

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A chronogical about life including self, family, friend, couple and idol in 6 reels

Tell Me Lies

5.6

1968

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Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.

Brasilia, Contradictions of a New City

7.4

1968

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In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

Diary of a Harlem Family

6.4

1968

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No description available

Monk in Europe

7.5

1968

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In 1968, we had the opportunity to spend time with Thelonious Monk and his musicians, following him in New York, Atlanta, and in various European cities. In New York his quartet plays at the Village Vanguard and at recording sessions for Columbia Records; in Atlanta they appear at a Jazz Festival organized by George Wein. The members of the quartet were Charlie Rouse, Larry Gales, and Ben Riley. The group was joined on the European tour by Ray Copeland, Clark Terry, Phil Woods, and Johnny Griffin, traveling as part of George Weins Newport Jazz Festival road company.

Monk

7.7

1968

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In 1968, we had the opportunity to spend time with Thelonious Monk and his musicians, following him in New York, Atlanta, and in various European cities. In New York his quartet plays at the Village Vanguard and at recording sessions for Columbia Records; in Atlanta they appear at a Jazz Festival organized by George Wein. The members of the quartet were Charlie Rouse, Larry Gales, and Ben Riley. The group was joined on the European tour by Ray Copeland, Clark Terry, Phil Woods, and Johnny Griffin, traveling as part of George Weins Newport Jazz Festival road company.

LBJ

6.6

1968

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A montage of 1960s America, all focused on the presidency of Lyndon B. Johnson.

LSD: Insight or Insanity?

4.6

1967

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Documentary about the potentially dangerous and unpredictable drug LSD. Various experts discuss how LSD is made and the hazards involved in using it while avid users explain why they enjoy taking it.

Dante's Inferno

7.2

1967

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The story of the influential 19th century British poet Dante Gabriel Rossetti and his troubled and somewhat morbid relationship with his wife and his art.

Something's Happening

1

1967

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Far from Vietnam

7.4

1967

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In seven different segments, Godard, Klein, Lelouch, Marker, Resnais and Varda show their sympathy and support for the North Vietnamese army during the Vietnam war.

Festival

5.4

1967

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Black and white footage of performances, interviews, and conversations at the Newport Folk Festival from 1963 to 1966. The headliners are Peter, Paul and Mary, Joan Baez, Pete Seeger, and Bob Dylan, whos acoustic and electric. Son House and Mike Bloomfield talk about the blues; John Hurt, Howlin Wolf, and Sonny Terry and Brownie McGhee show their range. The Osborne Brothers perform bluegrass. Donovan, Johnny Cash, Judy Collins, Mimi and Richard Fariña, and others less well-known also perform. Several talk musical philosophy, and theres a running commentary about the nature and appeal of folk music.

Titicut Follies

7.9

1967

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Documentary filmmaker Frederick Wiseman takes us inside the Massachusetts Correctional Institution Bridgewater where people stay trapped in their madness.

Portrait of Jason

7

1967

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Interview with Jason Holliday aka Aaron Payne. House-boy, would-be cabaret performer, and self-proclaimed hustler giving one mans gin-soaked, pill-popped view of what it was like to be coloured and gay in 1960s Unites States.