Keyword: film director

The Stunt Man

7.2

1980

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A fugitive stumbles onto a movie set just when they need a new stunt man, takes the job as a way to hide out and falls for the leading lady while facing off with his manipulative director.

Godard Mon Amour

6.7

2017

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In 1967, during the making of La Chinoise, film director Jean-Luc Godard falls in love with 19-year-old actress Anne Wiazemsky and marries her.

Sweet Liberty

5.8

1986

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After selling the rights of his book to a movie production company, a writer finds himself fighting the many egos and varying views around him.

Fuck You All: The Uwe Boll Story

6.8

2018

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A documentary about Uwe Boll, whos an infamous German filmmaker.

How to Make a Monster

5.6

1958

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When a master monster make-up artist is sacked by the new bosses of American International studios, he uses his creations to exact revenge.

Color Me True

7.2

2018

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An assistant director and film fan gets his wish come true when his favourite heroine, a princess from an old film, appears in the real world.

Valentino

5

1951

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Italian immigrant Rudolph Valentino makes it big in silent Hollywood, but he ends up struggling between his career and the woman he loves.

Nickelodeon

6.3

1976

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Buck and lawyer Leo accidentally get into movie production in the early days (1910).

S Is for Stanley

7.6

2015

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S Is For Stanley is the story of Emilio DAlessandro, Stanley Kubricks personal driver. A Friendship that lasted through 30 years of their lives, helped create four cinema masterpieces, and brought together two apparently opposite people, that found their ideal journey companion far away from their homes.

King Cohen: The Wild World of Filmmaker Larry Cohen

6.8

2017

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A feature length documentary on the acclaimed work and eclectic career of maverick filmmaker Larry Cohen.

Alex in Wonderland

5.3

1970

Movie

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Bohemian Alex Morrison has just finished directing his first feature-length movie. In its previews, the movie is considered a critical, artistic, and surefire commercial success, so Alex seemingly has his choice of what his next project will be. Alex has a few ideas, like a biopic of Lenny Bruce or a movie about a black uprising in Los Angeles. As he makes the rounds of both the Hollywood community and European movie centers for ideas, he fantasizes about movie scenarios of his those everyday situations, influenced by his movie idols, some of whom he actually meets, like Italian director Federico Fellini and French actress Jeanne Moreau. Hes also wondering what to do about his personal life: does it make sense for him to move up with his wife Beth and their two daughters from their middle-class lifestyle? If so, filmmaking must not only achieve his main purpose of saying something meaningful, but also must be commercially successful. But must the need for commercial success ultimately take artistic control out of his hands?