My Week with Marilyn
7
2011
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Colin Clark, an employee of Sir Laurence Olivier, documents the tense interaction between Olivier and Marilyn Monroe during the production of The Prince and the Showgirl (1957).
I Am Somebody
6.5
2015
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Life is not easy for aspiring actors who come to Hengdian to be extras, hoping to one day become movie stars.
The Thing: Terror Takes Shape
7.8
1998
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A revealing and insightful look into the making of this underrated horror film.
Complicated Women
6.7
2003
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A look at actresses who starred in films with thought-provoking subjects made between 1930 and July 1934, before the Hollywood Production Code —the infamous Hays Code— was enforced.
The Crowded Day
6.4
1954
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One day in the lives and loves of the staff in a large department store.
Special Effects
5.4
1984
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A director makes a movie based on a murder he committed.
Judas Kiss
5.6
2011
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A quirk in time and space gives a failed filmmaker the chance to reshape his destiny when he visits his peculiar alma mater.
Eisenstein in Guanajuato
6.3
2015
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The venerated filmmaker Eisenstein is comparable in talent, insight and wisdom, with the likes of Shakespeare or Beethoven; there are few - if any - directors who can be elevated to such heights. On the back of his revolutionary film Battleship Potemkin, he was celebrated around the world, and invited to the US. Ultimately rejected by Hollywood and maliciously maligned by conservative Americans, Eisenstein traveled to Mexico in 1931 to consider a film privately funded by American pro-Communist sympathizers, headed by the American writer Upton Sinclair. Eisensteins sensual Mexican experience appears to have been pivotal in his life and film career - a significant hinge between the early successes of Strike, Battleship Potemkin, and October, which made him a world-renowned figure, and his hesitant later career with Alexander Nevsky, Ivan the Terrible and The Boyars Plot.
The Life and Death of Peter Sellers
6.9
2004
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The feature adaptation of Roger Lewis book about the actor best remembered as Inspector Clouseau in the Pink Panther movies.
RKO 281
7.1
1999
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Orson Welles produces his greatest film, Citizen Kane (1941), despite the opposition of the films de facto subject, William Randolph Hearst.
The Editor
5.6
2014
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A film editor gets embroiled in a string of murders.
78/52
7.3
2017
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An unprecedented look at the iconic shower scene in Alfred Hitchcocks Psycho (1960), the man behind the curtain, and the screen murder that profoundly changed the course of world cinema.