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Francis Covers the Big Town

5.7

1953

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A man who has a talking mule gets a job on a newspaper, and both get mixed up in a murder trial.

Pickup on South Street

7.8

1953

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A pickpocket unwittingly lifts a message destined for enemy agents and becomes a target for a Communist spy ring.

The 49th Man

5.9

1953

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During the Cold War, the Defense Departments War Games team smuggles 48 nuclear bomb parts into the USA to test the nations readiness for a subversive attack but an unexplained 49th bomb part mysteriously shows up.

Cry of the Hunted

5.6

1953

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A fugitive is pursued by a lawman who is obsessed with his capture.

Split Second

6.9

1953

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Two escaped killers take hostages and hide in a Nevada mining ghost town knowing that an atom bomb is scheduled to be tested there the next morning.

Turn the Key Softly

7

1953

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Follows three women through their first day of freedom after they are released from prison.

Code Two

6.7

1953

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The adventures of motorcycle cops, from their academy days, to chasing crooked truckers.

House of Wax

7.6

1953

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An associate burns down a wax museum with the owner inside, but he survives only to become vengeful and murderous.

Man in the Dark

6.2

1953

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Many interested parties are after the loot from a factory payroll heist but the mobster who hid it has amnesia after undergoing experimental brain surgery in the prison hospital.

One Girl's Confession

6.3

1953

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Another of the Fate and Irony films from director-writer-producer-actor Hugo Haas but this one has less hair-shirt torment than most of his offerings, although his camera, as usual, lingers provocatively on the contours of the leading lady and, in this case, the leading lady is more than well-contoured. Mary Adams works in a tawdry waterfront restaurant where the owner not only maltreats her, he also cheated her father out of a fortune years ago. The owner acquires $25,000 in an illegal transaction, which Mary promptly steals, hides, confesses her crime and serves a short sentence. Freed, she goes to work in a restaurant owned by Dragomie Damitrod, and when he gets into trouble over a gambling debt, she offers to help him by telling him where the $25,000 is hidden, and will loan him what he needs. But circumstances indicate he has stolen all of the money, so she clouts him on the head, killing him. She then learns he didnt steal the money, digs it up and donates it to an orphanage, and surrenders to the police, where she learns that Damitrod is not dead. All is not lost as she seems to be heading for matrimony with fisherman Johnny, who has been hanging around romancing her at her various jobs between jail stints.

Count the Hours!

5.9

1953

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Lawyer defends migrant worker falsely accused of two murders.

The Hitch-Hiker

7

1953

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Two fishermen pick up a psychopathic escaped convict who tells them that he intends to murder them when the ride is over.

The Blue Gardenia

6.9

1953

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A telephone operator ends up drunk and at the mercy of a cad in his apartment. The next morning she wakes up with a hangover and the terrible fear she may be a murderess.

Street Corner

6.8

1953

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A pseudo-documentary in style with an emphasis on the daily work and routine of women police built around three different story lines. The first involves eighteen-year-old Bridget Foster (Peggy Cummins) who is picked up for shoplifting, but let off lightly. She has a small child, an often-absent husband and mother-in-law trouble. To compound that, she takes up with a petty hoodlum who commits a jewel robbery. The second story tells of a young girl who deserts the Army to marry a boy who needs her and commits bigamy in the process, but it all works out. The third story is about a baby who is mistreated by its father and stepmother, but is reunited, through police work, with its real mother.

South of Algiers

6

1953

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A British Museum archaeologist is searching for an ancient golden mask buried in a Roman tomb in Algeria but tomb robbers follow the academic in the hope of stealing the precious relic.

Mantrap

6.3

1953

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Branded as criminally insane and incarcerated for a murder he did not commit, Speight escapes from the asylum, determined to clear his name. He befriends private detective Hugo Bishop (Henreid) who, convinced that the wrong man has been convicted, agrees to help find the real killer. They begin their search for the murderer closest to home where both Thelma Speight (Maxwell) and her employer Maurice Jerrard were visibly distressed by the news of her husbands jailbreak. More than Speights insanity fuels their worries.

I Confess

7.3

1953

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A priest, who comes under suspicion for murder, cannot clear his name without breaking the seal of the confessional.

The Yellow Balloon

5.6

1953

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In post-war London, a small boy who blames himself for the accidental death of a friend, falls under the bad influence of a street criminal.

Time Bomb

6.1

1953

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After a terrorist plants a bomb on board a train, the police call in an army bomb disposal expert to find and dismantle it, but once it has been made safe, he has another shock in store.

Cosh Boy

5.9

1953

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The life of a juvenile delinquent is threatened by his own incessant desire for trouble.

The Drayton Case

6

1953

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During the early years of World War II, a bomb from a German airplane uncovers the corpse of a strangled woman.

Niagara

7.3

1953

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As two couples are visiting Niagara Falls, tensions between one wife and her husband reach the level of murder.

The Long Memory

6.4

1953

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Released from prison after twelve years, a wrongfully convicted British man seeks revenge on the witnesses who lied at his trial.

Tropic Zone

2

1953

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Ronald Reagan saves Rhonda Flemings banana plantation and roughs up some bad guys as expatriate freedom-fighter Dan McCloud.